5,304 Royalty-Free Audio Tracks for "Piano Concerto No. 1 (tchaikovsky)"

Peter Ilyich Tchaikovsky- Nutcracker Suite- 7- Dance Of The Mirlitons

Italiano: Suite No. 3 in Sol maggiore, Op. 55. Orchestral Suite No. 3 in G major, Op. 55. Composed by Tchaikovsky in 1884.

Je vous aime, Olga de l'opéra Eugène Onégine de Tchaïkovski, interprétée par Leonid Sobinov (1872 - 1934)

Peter Ilyich Tchaikovsky-Swan Lake- Extract from Act 3

Peter Ilyich Tchaikovsky- Swan Lake- Extract from Act 2

Peter Ilyich Tchaikovsky- Nutcracker Suite- 1- Miniature Overture

This is a 55 seconds music file, extracted from Pyotr Ilyich Tchaikovsky's "Hamlet Op. 67" Ouverture, composed in 1888. I uploaded it in order to prove that the well known melody "Autum Leaves" composed in 1945 by Joseph Kosma was in fact plagiarized from Tchaikovsky. Ce fichier est un fragment de 55 secondes extrait de l'ouverture fantaisie "Hamlet" Op. 67, composée en 1888 par Piotr Ilitch Tchaïkovski. Je l'ai déposé sur Wiki pour montrer que le thème de la célèbre mélodie "Les feuilles mortes" de Joseph Kosma (1945) est plagié sur Tchaïkovski.

Peter Ilyich Tchaikovsky- Nutcracker Suite- 2- March

Peter Ilyich Tchaikovsky- Nutcracker Suite- 6- Chinese Dance

This recording was made by Yevgeny Mravinsky in 1949, in the postwar Petersburg. This is the best performance. Эта запись сделана Евгением Мравинским в 1949 году, в послевоенном Петербурге. Это лучшее исполнение. Мне нужна музыка для статьи ru:Серенада (балет).

Peter Ilyich Tchaikovsky- Nutcracker Suite- 4- Trepak- Russian Dance

Peter Ilyich Tchaikovsky- Swan Lake- Extract from Act 4

Examples of digital clipping (Source: Beethoven's Fifth, 30 second cut, loudest peaks occur at 19.9, 20.7, 22.7 and 23.8 second marks). A set of five files: 1. Original, normalized to 1 dB margin to full scale. 2. +2dB overload 3. +5 dB overload 4. +10 dB overload 5. +20 dB overload

Examples of digital clipping (Source: Beethoven's Fifth, 30 second cut, loudest peaks occur at 19.9, 20.7, 22.7 and 23.8 second marks). A set of five files: 1. Original, normalized to 1 dB margin to full scale. 2. +2dB overload 3. +5 dB overload 4. +10 dB overload 5. +20 dB overload

Examples of digital clipping (Source: Beethoven's Fifth, 30 second cut, loudest peaks occur at 19.9, 20.7, 22.7 and 23.8 second marks). A set of five files: 1. Original, normalized to 1 dB margin to full scale. 2. +2dB overload 3. +5 dB overload 4. +10 dB overload 5. +20 dB overload

Examples of digital clipping (Source: Beethoven's Fifth, 30 second cut, loudest peaks occur at 19.9, 20.7, 22.7 and 23.8 second marks). A set of five files: 1. Original, normalized to 1 dB margin to full scale. 2. +2dB overload 3. +5 dB overload 4. +10 dB overload 5. +20 dB overload

Examples of digital clipping (Source: Beethoven's Fifth, 30 second cut, loudest peaks occur at 19.9, 20.7, 22.7 and 23.8 second marks). A set of five files: 1. Original, normalized to 1 dB margin to full scale. 2. +2dB overload 3. +5 dB overload 4. +10 dB overload 5. +20 dB overload

Adagio (2nd movement) from Beethoven's Piano Sonata Op. 22, bars 31–33

Piano Sonata No. 11, third movement

Klaviersonate Nr. 31 in As-Dur op. 110, 3. Satz (adagio, ma non troppo) Sonata no. 31 in a flat major, op. 110 - iii. adagio, ma non troppo

Opening of Mozart's piano sonata K545. Created by Hyacinth (talk) 01:48, 31 October 2011 (UTC) using Sibelius.

Development Haydn's Sonata in G Major, Hob. XVI: G1, I, mm. 29-53.

Piano Sonata, K. 545 - Allegro 日本語: ヴォルフガング・アマデウス・モーツァルトのピアノソナタ K. 545第一楽章

Peter Ilyich Tchaikovsky- Nutcracker Suite- 8- Waltz Of The Flowers

Kimiko Ishizaka - Bach - Well-Tempered Clavier, Book 1 - 47 Prelude No. 24 in B minor, BWV 869

Kimiko Ishizaka - Bach - Well-Tempered Clavier, Book 1 - 02 Fugue No. 1 in C major, BWV 846

JS Bach - Well Tempered Clavier - Prelude and Fugue No.1 in C major (BWV 846) - Public domain music from musopen.com

Kimiko Ishizaka - Bach - Well-Tempered Clavier, Book 1 - 48 Fugue No. 24 in B minor, BWV 869

Kimiko Ishizaka - Bach- Well-Tempered Clavier, Book 1 - 47 Prelude No. 24 in B minor, BWV 869

Kimiko Ishizaka - Bach - Well-Tempered Clavier, Book 1 - 01 Prelude No. 1 in C major, BWV 846

Kimiko Ishizaka - Bach - Well-Tempered Clavier, Book 1 - 01 Prelude No. 1 in C major, BWV 846

Kimiko Ishizaka - Bach- Well-Tempered Clavier, Book 1 - 02 Fugue No. 1 in C major, BWV 846

Hammerklavier fugue subject, retrograde version, last four bars

Hammerklavier fugue subject, first four bars